Friday, December 9, 2016

Out today: OvO - Creatura

OvO's ninth album, Creatura, is out today on Dio Drone Records.

Listen, here:
https://noisey.vice.com/it/article/la-nuova-creatura-degli-ovo

Buy, here:
https://diodrone.bandcamp.com/album/creatura

Enjoy the "Satanam" music video, here:
https://www.youtube.com/watch?v=ohDPRWKSd4A

The veteran Italian duo's raw and dramatic sound is a unique mix of primitive industrial, horror-movie ambience, and noise-rock punishment, led by the theatrically demonic vocals of Stefania Pedretti.

Counting Swans and Diamanda Galas as their biggest influences, Pedretti and co-conspirator Bruno Dorella have spent the past 16 years releasing albums on labels like Load Records (Lightning Bolt, Prurient), and performing across the globe with the likes of Godflesh and Thrones for a total of almost 1,000 shows to date.

"They play music – rhythmic noise, really – that simmers with a flat-affect malice, owing equal debts to extreme metal, noise rock, industrial music, and dark electronica. Lurching metal/noise collages topped with wordless shrieking... Feverish energy... A melodic heart that calls '80s slasher scores to mind."
–Stereogum

"Rhythmic, layered, sludgy noise... A David Lynch dance party."
–Decibel


"Dirgy ocean of pulsating noise... It's time to get your freak on."
–Cvlt Nation

"Punctuated by slamming, swampy drums, squalls of feedback and punchy guitar riffs, as well as Stefania Pedretti's no-holds-barred vocal."
–The Quietus

"OvO uses the lexicon of noise and metal obliquely, and Stefania's growl manifests an ancestral femininity that speaks of monsters and ghosts, not as a bogeyman fairytale, but as a manifestation of existent possibilities."
–Noisey Italia


Wednesday, December 7, 2016

SPOTLIGHTS + Clrvynt

"If you were diligent enough to show up early at this summer's Deftones / Refused tour, you were rewarded with the ultra-dense dream-rock of NYC husband-and-wife duo Spotlights. Mario and Sarah Quintero administer wave after wave of gorgeous '90s-worship distortion that should appeal to any fan of Failure, My Bloody Valentine, Swervedriver or Hum."
–Clrvynt

"90s rock, luscious psych and rattling sludge... Like a slowly evaporating dream... Makes you want to headbang with tears in your eyes."
–Decibel

"Is it dreamy as fuck? Yes, but what really makes this band's music stick to my ribs is that it packs the punch-to-the-gut of a sludge album... They are just creating music on their own terms..."
–CVLT Nation

Brooklyn's Spotlights cap off 2016 with the release of new EP, Spiders, now streaming in full via Clrvynt. Listen, here: http://clrvynt.com/spotlights-spiders-ep-premiere/

It's been a big year for the Brooklyn-based married couple, including the release of full-length Tidals and a summer US tour supporting Deftones and Refused.

The Spiders EP features a cover of a song by Danish band Mew, as well as a remix by Isis drummer Aaron Harris, and a reworking of an older song from the vault.

As Clrvynt puts it, the sound is "ultra-dense dream-rock... wave after wave of gorgeous '90s-worship."

Spiders can be ordered direct from the band, here:
https://spotlights.bandcamp.com/album/spiders-ep

Spiders and Tidals are both now available in the UK and Europe via Plastic Head Distribution.

New Yorkers can party with Spotlights this Saturday, December 10th, at the official Spiders EP listening party at Over the Eight in Brooklyn.

Monday, December 5, 2016

MARTIN BISI video

BrooklynVegan has premiered new Martin Bisi music video, "Sin-Love-Hate." 


The video is directed by Ego Sensation, bassist of White Hills.

Watch, here:
http://www.brooklynvegan.com/watch-martin-bisis-new-video-for-sin-love-hate/

Bisi – a New York City legend who since the late 1970s has lived and worked out of BC Studio in Brooklyn, recording music by Brian Eno, Bill Laswell, John Zorn, Herbie Hancock, Afrika Bambaataa, Sonic Youth, Swans, Helmet, Boredoms, Unsane, The Dresden Dolls, and many more – is also a solo artist, creating albums of his own over the past three decades. "Sin-Love-Hate" appears on his latest full-length, 2014's Ex Nihilo.

Of the new video, Bisi says, "The song has the theme from Ex Nihilo – that I'm part of a herd of animals, and me, my friends, and the city as a whole act it... Ego wanted me prowling around New York City at night, with the constant herd of cars, and morphing in and out of being a wolf as I perform with a cat-monkey brass band..."

Bisi draws inspiration from across the musical map – references on Ex Nihilo include Brian Eno, The Velvet Underground, opera, and New Orleans. Bisi's dense production method, combined with the unique acoustics of his studio, results in a cryptic and thrilling sound.

Bisi was immortalized in the 2014 documentary, Sound and Chaos: The Story of BC Studio, chronicling his life and 35-year career as a pillar of underground music in New York City and beyond.

"Bisi... the man who contributed to the sound of early hip-hop, avant-garde, and indie rock, might soon finally get recognition... Considering how diverse BC Studio's output has been over the years, there's still something recognizable about the music that Bisi lays his hands on... A certain rawness."
–Newsweek

"Bisi has presided over recordings that defined seminal scenes, counting downtown NYC's avant-garde jazz scene, '80s art-rock and '90s Bowery scum-rock. A glance at his stunning, across-the-genre-board discography results in minds blown."

–Noisey

Friday, December 2, 2016

Out today: AXIS / SERAPH THE LIGHT

Axis / Seraph the Light, the debut EP documenting the collaboration of Axis and Seraph the Light, is out today on Good Fight Music.

Listen, here:
https://soundcloud.com/goodfightent/sets/axis-seraph-the-light

Buy digital here:
https://axisseraphthelight.bandcamp.com

Pre-order vinyl, here (available in January):
http://goodfightmusic.merchnow.com/products/v2/244652/axisseraph-the-light-collab

Orlando, Florida's Axis and Memphis, Tennessee's Seraph the Light teamed up earlier this year to write and record as one eight-man supergroup. Produced by Jon Nunez of Torche and mastered by Brad Boatright (Nails, Full of Hell), the collab sees the new unit pound out an almighty-heavy sound inspired by Neurosis, Isis, Cult of Luna, Chelsea Wolfe, and more.

Axis and Seraph the Light begin a short US tour tonight, performing the new songs together onstage.

Axis / Seraph the Light:
Dec 2 - Tampa, FL @ Lucky You Tattoo 
Dec 3 - Margate, FL @ Inkwell Pub 
Dec 4 - Jacksonville, FL @ Nighthawks 
Dec 5 - Atlanta, GA @ 529 
Dec 6 - Nashville, TN @ The End 
Dec 7 - Memphis, TN @ Rock House Live 
Dec 8 - Birmingham, AL @ The Firehouse 
Dec 9 - Tallahassee, FL @ Adelaide Schnittman Hall

Axis' latest release, Show Your Greed, was released on Good Fight in 2015. Of that album, Stereogum proclaimed: "If you think fondly of hateful Philly bands like Starkweather and Turmoil; if you were down with Converge and Coalesce back when they played mathy chugga-chugga-stop breakdowns; if you wish Botch, Burnt By The Sun, and Kiss It Goodbye had released more music: congratulations! You have the chutzpah to appreciate the good kind of metalcore... Axis pretty much stick to the established template for this kinda thing on Show Your Greed, but they are so goddamn good at it..."

Axis' next full-length album will be out on Good Fight in 2017. The band has announced a European tour with labelmates 
Of Feather and Bone in February.


Axis, Of Feather and Bone:

Feb 17 - Brussels, BE @ Magasin 4
Feb 21 - Cottbus, DE @ Chekov
Feb 22 - Prague, CZ @ Klub 007
Feb 23 - Budapest, HU @ Durer Kert
Feb 24 - Vienna, AU @ Dasbach
Feb 25 - Zurich, CH @ Klubi
Feb 26 - Genf, CH @ Usine
Feb 28 - Dijon, FR @ Les Tanneries
Mar 1 - Montpelier, FR @ Secret Place
Mar 2 - Rennes, FR @ Mondo Bizarro
Mar 4 - Koblenz, DE @ Juz

Out today: HOLLOW EARTH - Dead Planet

Hollow Earth's new album Dead Planet is out today on Good Fight Music.

Listen, here:

http://www.metalinjection.net/av/stream-hollow-earths-crushing-dead-planet-album-in-full-right-now

Buy, here:
MerchNow - http://smarturl.it/deadplanet

Produced by Misery Signals' Greg Thomas, Dead Planet features guest appearances by  Trevor Strnad of The Black Dahlia Murder, and Tad Doyle of Tad, and John Pettibone of Heiress. 

Dead Planet fleshes out Hollow Earth's outerspace obsessions via a full-fledged sci-fi storyline, connecting it to the band's previous release, the Parting Remains EP. Concept and music are synced perfectly – monolithic Neurosis-core evokes visions of the interstellar void. Crushing, metallic grooves and radiant melodies paint scenes of grandeur and horror.


"Between profound beauty and earth shattering tribal hits... Sonically precise and larger than life... A benchmark for future releases on Good Fight Music."

–Metal Injection

"Moody, tribal, and groovy... One of the finest metallic hardcore acts on the scene today."

–MetalSucks

"Slow motion otherworldly sludge jams. They delicately toe the line between Neurosis' psychedelic mantras and Dangers' incisive diatribes on the absurd modern condition."

–Exclaim!

"Sometimes sounding like a hardcore band who accidentally stepped on a phaser pedal, and other times like Slowdive getting beaten up in an alley, it surprisingly plays to the strengths of both ideas – big hooks but also a focused approach that still delivers the riff."

–Decibel

"A fascinating new take on post-metalcore, one where riffs and atmosphere can coexist somewhere in space."
–New Noise


"This expansive and powerful album, resting on a strongly fleshed-out science fiction concept, channels the dynamic between metalcore and stoner metal."

–Heavy Blog Is Heavy 

"A concept album with a well mapped narrative... Nearly every track has a strong melodic guitar line running through the sturm und drang of Hollow Earth's almost sludgy attack... A fantastic, propulsive energy that draws you in... It's stirring stuff."

–Echoes and Dust

"A claustrophobic sonic environment to match the fear of being stuck in an oxygen-deprived solar system."
–Heavy Music HQ

Thursday, December 1, 2016

HOLLOW EARTH + Metal Injection

"Between profound beauty and earth shattering tribal hits... Sonically precise and larger than life... A benchmark for future releases on Good Fight Music."
–Metal Injection

"Moody, tribal, and groovy... One of the finest metallic hardcore acts on the scene today."
–MetalSucks

"Sometimes sounding like a hardcore band who accidentally stepped on a phaser pedal, and other times like Slowdive getting beaten up in an alley, it surprisingly plays to the strengths of both ideas – big hooks but also a focused approach that still delivers the riff."
–Decibel

"This expansive and powerful album, resting on a strongly fleshed-out science fiction concept, channels the dynamic between metalcore and stoner metal."
–Heavy Blog Is Heavy 

"A concept album with a well mapped narrative... Nearly every track has a strong melodic guitar line running through the sturm und drang of Hollow Earth's almost sludgy attack... A fantastic, propulsive energy that draws you in... It's stirring stuff."
–Echoes and Dust

With new album Dead Planet out this Friday, December 2nd, on Good Fight Music, Hollow Earth offers up a stream of the entire album, premiered here via Metal Injection:
http://www.metalinjection.net/av/stream-hollow-earths-crushing-dead-planet-album-in-full-right-now

Founded in the greater Detroit area, Hollow Earth has been perfecting its apocalyptic metalcore over the past few years, gradually arriving at a sound that's essentially the ultimate soundtrack to hurtling through glorious yet deadly expanses of deep space.

Dead Planet pushes Hollow Earth's outerspace obsessions via a full-fledged sci-fi storyline, connecting it to the band's previous release, the Parting Remains EP. Concept and music are synced perfectly – monolithic Neurosis-core evokes visions of the interstellar void. 

Produced by Misery Signals' Greg Thomas, the album features guest appearances by  Trevor Strnad of The Black Dahlia Murder, and Tad Doyle of Tad, and John Pettibone of Heiress. 


Buy here:
https://goodfightmusic.merchnow.com/catalogs/Hollow-Earth

Photo by Mike Moynihan

Wednesday, November 30, 2016

AXIS / Seraph the Light

With the digital release of Axis / Seraph the Light coming up on Friday, December 2nd, Good Fight Music presents a stream of the full EP.


Axis / Seraph the Light is a collaboration between Orlando, Florida's Axis and Memphis, Tennessee's Seraph the Light – the two bands teamed up earlier this year to write and record as one eight-man supergroup. Produced by Jon Nunez of Torche and mastered by Brad Boatright (Nails, Full of Hell), the collab sees the new unit pound out an almighty-heavy sound inspired by Neurosis, Isis, Cult of Luna, Chelsea Wolfe, and more.

With the EP available digitally on Friday, Axis and Seraph the Light will hit the road for a short US tour, performing the new songs together onstage. (A vinyl release of the EP will follow in January.)

Axis / Seraph the Light:
Dec 2 - Tampa, FL @ Lucky You Tattoo 
Dec 3 - Margate, FL @ Inkwell Pub 
Dec 4 - Jacksonville, FL @ Nighthawks 
Dec 5 - Atlanta, GA @ 529 
Dec 6 - Nashville, TN @ The End 
Dec 7 - Memphis, TN @ Rock House Live 
Dec 8 - Birmingham, AL @ The Firehouse 
Dec 9 - Tallahassee, FL @ Adelaide Schnittman Hall

Coming up in February, Axis (back to its original, leaner, meaner state, minus Seraph the Light) will join Good Fight labelmates Of Feather and Bone for a European tour.

Axis, Of Feather and Bone:
Feb 17 - Brussels, BE @ Magasin 4
Feb 21 - Cottbus, DE @ Chekov
Feb 22 - Prague, CZ @ Klub 007
Feb 23 - Budapest, HU @ Durer Kert
Feb 24 - Vienna, AU @ Dasbach
Feb 25 - Zurich, CH @ Klubi
Feb 26 - Genf, CH @ Usine
Feb 28 - Dijon, FR @ Les Tanneries
Mar 1 - Montpelier, FR @ Secret Place
Mar 2 - Rennes, FR @ Mondo Bizarro
Mar 4 - Koblenz, DE @ Juz

Axis' latest release, Show Your Greed, was released on Good Fight in 2015. Of that album, Stereogum proclaimed: "If you think fondly of hateful Philly bands like Starkweather and Turmoil; if you were down with Converge and Coalesce back when they played mathy chugga-chugga-stop breakdowns; if you wish Botch, Burnt By The Sun, and Kiss It Goodbye had released more music: congratulations! You have the chutzpah to appreciate the good kind of metalcore... Axis pretty much stick to the established template for this kinda thing on Show Your Greed, but they are so goddamn good at it..."


Tuesday, November 29, 2016

OvO + Cvlt Nation

"Dirgy ocean of pulsating noise... It's time to get your freak on."
–Cvlt Nation

"Rhythmic, layered, sludgy noise... A David Lynch dance party."
–Decibel


"Punctuated by slamming, swampy drums, squalls of feedback and punchy guitar riffs, as well as Stefania Pedretti's no-holds-barred vocal."
–The Quietus

"They play music – rhythmic noise, really – that simmers with a flat-affect malice, owing equal debts to extreme metal, noise rock, industrial music, and dark electronica. Lurching metal/noise collages topped with wordless shrieking... Feverish energy... A melodic heart that calls '80s slasher scores to mind."
–Stereogum

Cvlt Nation has premiered "Freakout," the latest track off upcoming new OvO album, Creatura. A "dirgy ocean of pulsating noise," "Freakout" is a prime slice of the veteran Italian duo's raw and dramatic sound – a unique mix of primitive industrial, horror-movie ambience, and noise-rock punishment, led by the theatrically demonic vocals of Stefania Pedretti. 


Counting Swans and Diamanda Galas as their biggest influences, Pedretti and co-conspirator Bruno Dorella have spent the past 16 years releasing albums on labels like Load Records (Lightning Bolt, Prurient), and performing across the globe with the likes of Godflesh and Thrones for a total of almost 1,000 shows to date.


Out next Friday, December 9th, on Dio Drone Records, Creatura is OvO's ninth full-length album. It was recorded by Lorenzo Stecconi (Zu, Ufomammut) at a theater company's warehouse in Ravenna, Italy, mixed by Giulio Favero, and mastered by Giovanni Versari (Muse).


Photo by Francesca Morello

Monday, November 21, 2016

HOLLOW EARTH + Heavy Blog Is Heavy

"This expansive and powerful album, resting on a strongly fleshed-out science fiction concept, channels the dynamic between metalcore and stoner metal."
–Heavy Blog Is Heavy

"Sometimes sounding like a hardcore band who accidentally stepped on a phaser pedal, and other times like Slowdive getting beaten up in an alley, it surprisingly plays to the strengths of both ideas – big hooks but also a focused approach that still delivers the riff."
–Decibel

"Moody, tribal, and groovy... One of the finest metallic hardcore acts on the scene today."
–MetalSucks

"Dead Planet is soaked in heavy, and drips with beauty..."

–Metal Injection

"A concept album with a well mapped narrative... Nearly every track has a strong melodic guitar line running through the sturm und drang of Hollow Earth's almost sludgy attack... A fantastic, propulsive energy that draws you in... It's stirring stuff."
–Echoes and Dust

With the release of new album Dead Planet coming up next week on Good Fight Music, Hollow Earth has revealed one more new track. Hear "Convergence in Recollection" on Heavy Blog Is Heavy, here:

http://www.heavyblogisheavy.com/2016/11/21/exclusive-premiere-get-science-fiction-with-hollow-earths-converge-in-recollection/

Dead Planet pushes Hollow Earth's outerspace obsessions via a full-fledged sci-fi storyline, connecting it to the band's previous release, the Parting Remains EP. 
Concept and music are synced perfectly – monolithic Neurosis-core evokes visions of the deep space void.

Produced by Misery Signals' Greg Thomas, the album features guest appearances by  Trevor Strnad of The Black Dahlia Murder, and Tad Doyle of Tad, and John Pettibone of Heiress. 


Photo by Jacki Vitetta

Saturday, November 19, 2016

BODY STUFF + Decibel

Review in the Jan '17 issue of Decibel Magazine – "It's as though a housebound, pimply-faced dweeb with a rat moustache started writing music after absorbing INXS, Crowded House and Cure in between all the cool stuff that led to him making Roadrunner mix tapes and bootleg Earache shirts... Malice dominates the pumping industrial of 'Coward Song,' 'Ice' discordantly recalls early Jim (Foetus) Thirlwell and 'Cabin Song' is all razor-sharp elegy."